A traditional Irish song, translated as "The Brink of the White Rocks". Performed by tin whistle with guitar accompaniment, this is a mournful and sad tune which takes you back to old Ireland in the 18th Century. Beautiful and melancholy, yet has a slight edge of hope. [Tempo: Slow / 0 BPM]
Dark, moody and edgy underscore track with an industrial sound, starting with drones, pads and synths, then drums enter and the track continues to grow in energy, eventually finishing with crazy and deranged sounding synths. Perfect for anything unsettling or gritty, dark etc. [Tempo: Medium, Fast / 120 BPM]
Mandolin, fiddle and bodhran play this set of Irish reels. Light instrumentation compared to most reels, this is a very old tune - collected first by Michael Coleman in "Past Masters of Irish Fiddle Music" in 1923. Live recording. [Tempo: Medium, Fast / 106 BPM]
A sad and reflective traditional Irish air played on the fiddle and accompanied by nylon guitar. Contemplative, pensive and thoughtful, this air is beautiful, stirring and incredibly sad also. From around 18th century Ireland - a truely genuine Irish air. 100% live performance. [Tempo: Very slow, Slow / 0 BPM]
An epic and cinematic orchestral music track that builds slowly and powerfully with a huge choir and orchestra entering at 1:10. Perfect music for film trailers. [Tempo: Medium / 110 BPM]
Begins with a simple but catchy piano motif that gradually grows in confidence and complexity, climaxing with soaring strings. Accompaniment. Reflective / Forward-Looking / Confident / Hopeful. [Tempo: Medium, Fast / 105 BPM]
Opening on a simple, dark and haunting piano theme that grows in complexity over time, introducing cell and guitar motifs and ending with a quiet intensity. Moody / Intense / Subtle. [Tempo: Slow, Medium / 118 BPM]
An innocent and upbeat track that has a hint of mystery and comedy to it. Harp, piano, pizzicato strings and unusual percussion come together to create a quirky mood. [Tempo: Slow, Medium / 120 BPM]
A fun and unique sounding quirky little track that is very innocent and playful. Kids guitar mixed with flowing woodwinds and loads of unusual percussion provide a warm and relaxed mood. [Tempo: Medium / 105 BPM]
A jolly, fun and driving Irish hornpipe set. Bodhran, fiddle, mandolin and guitar perform together on Byrne's (a hornpipe), which then leads into Liverpool Hornpipe at 1:29, with the flute joining in also. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Medium, Fast / 89 BPM]
A popular set of Irish hornpipes played in Irish pubs. Fiddle begins, with bodhran joining in to provide rhythm and guitar providing accompaniment from 0:45 onwards. Leads into O'Callaghan's at 1:30. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Medium / 86 BPM]
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Medium, Fast / 123 BPM]
Upbeat and lively traditional Irish tune. Banjo, fiddle and bodhran join together in a popular Irish hornpipe set. The first tune is called "Harvest Home" which then leads into Boys of Bluehill at 1:40 when the guitar enters. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Medium / 78 BPM]
A dark, creepy and sinister track that is eerie and twisted - suitable for a TV show opening theme like Hemlock Grove. Piano, violin, strings, music box, and mangled sound effects all mix together to create a mysterious and fearful overall sound. [Tempo: Slow / 75 BPM]
An ominous and mysterious track, that remains innocent, bouncy and fun. Sparse and light instrumentation works well to create a whimsical and quirky mood. [Tempo: Slow, Medium / 115 BPM]
A minimal emotional track with romantic piano melody and beautiful accompanying guitar chords. Very simple yet beautiful, tender and delicate. [Tempo: Slow, Medium / 85 BPM]
Backed by gritty guitars and epic drums/percussion, this dark, passion fuelled hybrid rock track delivers an epic climax. Dramatic / Aggressive / Determined. [Tempo: Medium / 90 BPM]
A journey of discovery via reflective piano chords and haunting strings/synth pads. Builds in strength and purpose to a majestic ending. Captivating / Mysterious / Forward Looking. [Tempo: Very slow / 60 BPM]
Beginning with bouncy piano, then sparkly synths, a foot tapping beat, strings and jumpy woodwinds enter, to create a fun sound. Huge swirling vocals enter midway to create a lush and elated mood. Very organic and earthy sound overall. Available with or without the vocal parts. [Tempo: Slow, Medium / 120 BPM]
A popular set of beautiful and proud sounding Irish traditional hornpipes from the 1850 collection "O'Neill's Music of Ireland", played by whistle, guitar, bodhran and fiddle. Begins with Dunphy's Hornpipe and leads into Stack of Barley at 1:41 at which point the fiddle joins in. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Slow, Medium / 77 BPM]
Begins with a simple but catchy piano motif that grows in confidence and complexity, finally climaxing with drums and soaring strings. Corporate / Forward Looking / Confident. [Tempo: Medium / 135 BPM]
A set of Irish traditional "slides" performed by mainly by the box and banjo with accompaniment by fiddle, flute and bodhran. O'Keefes is performed first and leads into the Brosna at 0:53. Brosna is sometimes also called "The Lonesome Road to Dingle" or "Trip to the Jacks". This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second. [Tempo: Medium, Fast / 145 BPM]
