An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Slow / 77 BPM]
A fun and feel-good rock theme great for transitions and introducing new scenes. Electric guitars, drums, and bass. [Tempo: Fast / 130 BPM]
An epic romantic theme with full symphony orchestra and solo violin, underscoring anything from a King's secret love affair to a bittersweet farewell in ancient Rome. The authentic ancient feel makes this cue perfect for period and Bible films. [Tempo: Very slow / 0 BPM]
A dramatic Hollywood action thriller style remix of the famous Christmas classic. (Trad./Arr: Jason Livesay) [Tempo: Fast / 146 BPM]
An epic orchestral war cue with a constant build to a dramatic climax, underscoring anything from a medieval battleground to the uprising of the ultimate villain. Similar to "Mars" from "The Planets," and perfect for trailers and epic action films. [Tempo: Slow, Medium / 74 BPM]
A very thematic cue underscoring contemplative sentiments and a sense of longing, motion, and time ticking by. Light orchestral with piano melody and subtle percussion rhythm. [Tempo: Very slow / 59 BPM]
A steady comedy/drama cue underscoring a delicate scheme and a secret plan. Great for several mildly suspenseful scenes with an element of fun and mystery. [Tempo: Slow, Medium / 99 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a mass epidemic. Orchestral with creepy piano, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Slow, Medium / 90 BPM]
A very hip and contemporary underscore piece with urban and pop characteristics. Perfect for montages or scenes that need a little edgy mystery with an inner-city vibe. Drums, electric, bass, electronic instruments, guitars, and piano. [Tempo: Medium / 86 BPM]
An intensely suspenseful mystery cue underscoring anything from a deceitful murder to a sudden kidnapping. Orchestral with piano, with electric bass and percussion, in the vein of James Newton Howard's scores for M. Night Shyamalan films (The Village, Signs, The Happening). [Tempo: Medium, Fast / 0 BPM]
A subtle comedy cue underscoring anything from a sneaky plan to a silly hideout. Sneaking around, scheming, hiding, playing spy. Pizzicato strings, clarinet, flute, and piano. [Tempo: Slow, Medium / 98 BPM]
A fun and fast chase cue underscoring a more comedic getaway. This cue starts subtle and builds to a climax, then subsides again. Guitars, bongo percussion, piano, strings, and acoustic bass. [Tempo: Fast / 138 BPM]
A fun and mysterious comedy cue underscoring anything from sneaking around, scheming, hiding, tip-toeing, to investigating a haunting. Light orchestral with pizzicato strings, piano, flute, clarinet. [Tempo: Slow / 71 BPM]
A gently inspiring and uplifting dramatic cue, underscoring scenes of heart felt hope and sentiments. Light piano and rhythm with ambient textures. [Tempo: Medium / 110 BPM]
A fun new take on the Auld Lang Syne. Trad./Arr. J Livesay [Tempo: Medium, Fast / 111 BPM]
A building and driving orchestral cue with an ambitious sense of urgency and sweeping fantasy, underscoring anything from an intense adventure to a suspenseful chase. The slight middle-eastern flavor makes this cue perfect for period epics. [Tempo: Medium / 72 BPM]
A romantic and heartfelt piece underscoring the bond between two friends or the love between two lovers. The first half has much more motion, and the second half is more sentimental. Nostalgic piano, harp, strings, and clarinet. [Tempo: Slow, Medium / 0 BPM]
A fun comedy cue with a lot of character underscoring any of the daily idiocies we all face every day. Great for introducing new scenes and locations that need a silly and "not-so-serious" character. Piano, pizzicato strings, dobro, mandolin, and percussion. [Tempo: Medium / 90 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine, with a riveting climax. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Fast / 155 BPM]
A short, fun and jazzy piece of music great for transitions or introducing a comedic scene or character with night life energy. Jazz guitar, acoustic bass, and drums. [Tempo: Fast / 156 BPM]
An intense epic action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 75 BPM]
An epic and magical orchestral cue with a sense of supernatural phenomenon and a Middle-Eastern flavor, underscoring anything from an intense journey to a miracle of God. Perfect for Bible-period films and epic fantasy films. [Tempo: Slow, Medium / 0 BPM]
An intense action cue with driving percussion rhythms, orchestral energy, and big drums, underscoring anything from a fast car chase to a battle between man and machine. Very much in the vein of John Powell's "Bourne" movies and the scores of Hanz Zimmer and Steve Jablonsky ("Batman Begins" and "Transformers"). [Tempo: Medium / 90 BPM]
Tense, horrific survival music, blending hard percussion with orchestral elements. Changes between pensive, nervous parts and more action filled parts for chase, action scenes. Nervous, slightly chaotic, disoriented. [Tempo: Medium / 95 BPM]
