This is a neo classical piece very much in the style and mood of The Thieving Magpie Overture by Rossini. While not a copy, this track is a homage to the Rossini Overture. It is a delightful waltz, playful and mischievous. Highly suitable for cinematic productions / film / adventure / circus and more. [Tempo: Medium, Fast / 81 BPM]
A magical, sweeping, cinematic piece with a 'lurking' feel. Good as background music for fantasy and adventure, this track uses a full orchestra with bells. Pensive chord progressions. A sense of mystery and intrigue. Amazement and wonderment. Somewhat "Harry Potter-esque". Very craftfully produced orchestral sound. [Tempo: Slow, Medium / 0 BPM]
An intense, swashbuckling, fight- or chase cue for adventure or fantasy. Grand, funm mischievous and lively, this orchestral action track will go well with scenes of good vs evil, pirates or adventurers. Very well produced orchestral sound, similar in mood to, say, Pirates of the Caribbean, Harry Potter, Raiders of the Lost Ark, etc. [Tempo: Fast, Very fast / 140 BPM]
An "big sky" type orchestral track of joy, magic, amazement and wonderment. Good for fun adventures and bright stories. Perhaps the beginning of a great adventure. Playful and active. Slightly mischievous? Can be used in fantasy movies as well as homely, feelgood, family movies etc. Excited and positive. Rich orchestal sound. [Tempo: Medium, Fast / 120 BPM]
A suitable choice for a funny, upbeat and action-packed commercial or trailer involving a chase of some sort. A fast and busy classical Italian bass line accompanied by a festival of emotive strings, memorable brass lines, and a modulation that will intensify the situation until the final climactic scream of the orchestra. [Tempo: Medium, Fast / 80 BPM]
A Russian Winter is a calm, colorful journey. It features the full orchestra, highlighting every woodwind, brass and string instrument at some point. It’s filled with variety, yet melodically consistent. [Tempo: Slow / 0 BPM]
Think of the Simpsons theme... for real life. Good Morning is an upbeat, optimistic and quirky piece. It begins will a military-like snare drill, as if the protagonist is on a mission. It has a memorable string melody, a funny brass moment and a punchy ending like a classic sitcom. [Tempo: Medium / 110 BPM]
This piece is suitable for killer clowns, zombies, possessed dolls, etc. An eerie piece with a deep terrorizing bass line; highlights the squeaky nature of the Oboe and the sentimental vibrato of the trumpet to create an ironic atmosphere of horror with a slight comedic feel. [Tempo: Slow / 70 BPM]
Think of the Olympics. March of nobility is a strong, yet elegant fanfare for ceremonial use. A strong bass line accompanied by a military snare, noble brass lines and a beautiful string melody with full orchestral colors. [Tempo: Slow, Medium / 60 BPM]
If a metropolis urban city had a voice, this is how it would sound. Cello spiccatos leave you on edge while the trumpet duo sounds somewhat jazzy and someone depressing. A suitable choice for an action-packed mafia or film noir trailer concerning urban crime. [Tempo: Slow, Medium, Fast / 230 BPM]
The Third Reich is to Hitler what the Imperial March was for Darth Vader. It begins with a simple staccato violin pattern and flute melody until the call of horns introduces the ground-shattering beat, synonymous to the force of military tanks. When you thought things were rough, an epic finale kicks in. [Tempo: Slow, Medium / 60 BPM]
These dark horror cues can be classed either as "music cues" or "sound effects", as in reality they function as both. They are all recorded with a large, live symphony orchestra with the same quality as any soundtrack from big budget movies. The effects are easy to loop and edit, and can be tailored to fit any cue, as they can be used from virtually any point. Consider them a construction kit to score horror, mystery and dark drama. Recorded, mastered, and delivered to you in pristine 24-bit audio. Also look for YS Horror Cues 21-40 and YS Horror Cues 41-60. [Tempo: Very slow, Slow, Medium / 0 BPM]
These dark horror cues can be classed either as "music cues" or "sound effects", as in reality they function as both. They are all recorded with a large, live symphony orchestra with the same quality as any soundtrack from big budget movies. The effects are easy to loop and edit, and can be tailored to fit any cue, as they can be used from virtually any point. Consider them a construction kit to score horror, mystery and dark drama. Recorded, mastered, and delivered to you in pristine 24-bit audio. Also look for YS Horror Cues 01-20 and YS Horror Cues 41-60. [Tempo: Very slow, Slow, Medium / 0 BPM]
These dark horror cues can be classed either as "music cues" or "sound effects", as in reality they function as both. They are all recorded with a large, live symphony orchestra with the same quality as any soundtrack from big budget movies. The effects are easy to loop and edit, and can be tailored to fit any cue, as they can be used from virtually any point. Consider them a construction kit to score horror, mystery and dark drama. Recorded, mastered, and delivered to you in pristine 24-bit audio. Also look for YS Horror Cues 01-20 and YS Horror Cues 21-40. [Tempo: Very slow, Slow, Medium / 100 BPM]
It is late afternoon in the big city and winter is almost here. The piano establishes the gentle and somewhat playful main theme as strings accompany. The entire orchestra joins in and crescendos until we are left with the final stretch of the journey home after a long day. [Tempo: Medium / 100 BPM]
Full orchestral cityscape theme. The positive side of city life as a joyful musical romp through Central Park. Emotions such as fun, excitement, joy and wonder fill this cue. [Tempo: Medium, Fast / 150 BPM]
This cue opens on a gentle harp glissando opens a delightful orchestral start to the day. Main theme is realized as a question and answer between different woodwinds instruments with strings and piano joining the pleasant discussion. The music drives emotions such as wonder and endless possibilities. [Tempo: Medium, Fast / 130 BPM]
Urgent orchestration collides full tilt with clattering percussion in this dramatic orchestrated chase. Good for climactic scenes, chases or high energy movie trailers. [Tempo: Fast, Very fast / 100 BPM]
A very lively and exciting orchestral track, full of wonder, amazement and grandeur. Somewhat whimsical and playful, this cue is suitable for fun action scenes, circus and acrobats, amazing feats and mischief. [Tempo: Fast, Very fast / 170 BPM]
Styrian Dances (Steyrische Tanze) / Dances de Styrie / Danze Stririane - By Josef Lanner. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Medium / 0 BPM]
J. Strauss - An Der Schonen Blauen Donau / The Blue Danube / Le beau Danube bleu / Sul bel Danubio blu. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Medium / 0 BPM]
J. Strauss Annen Polka / Anna Polka / Polka francaise. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Medium, Fast / 100 BPM]
J. Strauss: Der Zigeunerbaron Overture / The Gypsy Baron overture / Lo zingaro barone Ouverture. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Slow, Medium / 0 BPM]
Strauss: Die Fledermaus Overture / "The Bat" overture / La Chauve Souris / Il Pipistrello. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Slow, Medium / 100 BPM]
Strauss: Dorfschwalben aus Osterreich / Village Swallows from Austria / Hirondelles des villages d'Autriche / Rondinelle dAustria [Tempo: Medium / 100 BPM]
Strauss: Gschichten aus dem Wienerwald / Tales from Vienna Woods / Legendes de la foret viennoise / Storielle del bosco viennese [Tempo: Medium / 0 BPM]
Strauss: Kaiser Waltzer / The Emperor Waltz / Valse de l'Empereur / Valzer dell'Imperatore. [Tempo: Medium / 0 BPM]
Strauss: Radetzky Marsch / Radetzky March / Marche de Radetzky / Marcia Radetzky. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Medium / 0 BPM]
Strauss: Unter Donner und Blitz / Thunder and Lightning / Sous le Tonnere et les Eclairs / Sotto tuoni e lampi. Arranged and produced by Roman Seekirchner of Seekirchner GmbH and conducted by Vladimir Kiradjiev. [Tempo: Fast / 0 BPM]
A cinematic orchestral piece inspired by nursery rhymes and bedtime stories. It has a magical, fable-like quality that could set the stage for an amazing story. The piece has a childlike innocence that suits it particularly well to childhood settings and characters. [Tempo: Medium / 100 BPM]
This cinematic orchestral track suggests scenes involving magical or dramatic settings. It has an expansive feel, and features a prominent melody. It could suit adventure, supernatural, outer space or nature themed productions. [Tempo: Medium / 78 BPM]
A cinematic orchestral piece that evokes fear, sadness, anxiety, and magic. This track could work in scenes involving threat, supernatural forces or otherworldly and awe-inspiring locations. The middle section is quite dramatic. [Tempo: Medium / 92 BPM]
A cinematic orchestral piece inspired by scenes of natural beauty. Would work well for scenes that begin a story, or that evoke natural phenomena such as sunrises, mountain ranges, seascapes, and the like. Very dramatic with a strongly positive feel. [Tempo: Medium / 85 BPM]
An energetic orchestral cartoon theme, evocative of TV cartoons. A complex and pretty orchestration supports a cheeky and memorable theme presented on various orchestral instruments. A very upbeat, positive, fun and cartoony track with a high production value. [Tempo: Fast / 148 BPM]
Conveying a sense of warmth and contemplation, this piece of orchestral Americana would suit scenes depicting the great expanse of the beautiful Western landscape and sky. Also good for natural beauty, amazing scenes, adventure and fantasy. [Tempo: Slow / 0 BPM]
A melodic orchestral theme with a percussive, upbeat, and celebratory feel. This piece hearkens back to the cowboy themes of the Golden Age of Hollywood Western movies. The piece would work well as a title track or main theme for a Western themed production, or in a scene featuring celebration or revelry. [Tempo: Medium, Fast / 121 BPM]
A grand, orchestral version of this classic Christmas carol. Warm, uplifting and traditional with varying dynamics featuring melody on trumpet, choir and oboe. [Tempo: Slow / 90 BPM]
A fun, lively and busy orchestral / film score track with a sense of 'beginnings'. Bustling with life, like the morning hour, when everything start to come to life. A sense of expectation, fun and adventure. Bright / Playful / Lively. [Tempo: Medium, Fast / 123 BPM]
Orchestral action cue. Ominous, foreboding. Nervous tension builds into an all-out action / battle score. Nice, full orchestral sound. Big and brash. [Tempo: Medium, Fast / 130 BPM]
A romantic Celtic sounding ballad inspired by Howard Shore's score for Lord Of The Rings and James Horner's the music from Titanic. It features strings, tin whistle, Irish low whistle, Celtic harp, carillon and Glockenspiel, uilleann pipes and glorious choir. It is innocent, magical and warm, and retreats into a slow and sorrowful ending. It would work nicely in family drama, film and video needing disney like touch, cartoon and animation, and joyful Christmas and holiday projects. [Tempo: Slow / 127 BPM]
Whimsical orchestral score that is reminiscent of Disney style scores, youthful and innocence . It's dreamy & melodic and child-like. It features pizzicatto and bowed strings, woodwinds, harp, glockenspiel and sweeping percussive swells. It would be nice for cartoons and animation, toys, or fairy tales and fils films with that majextic disney touch. Wwarm & light-hearted, but upbeat, vibrant and joyful music. It would work nicely in family drama, film and video needing disney like touch, cartoon and animation, and joyful Christmas and holiday projects. [Tempo: Slow / 55 BPM]
An uplifting orchestral piece with soaring strings, pulsating rhythms, military snares and tight low end drives this piece. A contemplative and subdued intro builds into a satisfying fulfillment and inspiring climax leaving one at peace within. In the style of Steve Jablonsky, Hans Zimmer, John Williams and James Horner. [Tempo: Slow / 151 BPM]
A slow building uplifting and motivational orchestral piece with pulsating pizzicato, slow flowing strings, military snares and tight low end drives this piece. A laid back intro that builds into a satisfying fulfillment and climax of wonder. In the style of Steve Jablonsky, Hans Zimmer, John Williams and James Horner. [Tempo: Slow / 150 BPM]
A short yet dynamic orchestral flurry of magic and adventure. Evokes a sense of wonder and amazement, with a touch of glorious flight. Big Sky / Grand Adventures. [Tempo: Medium, Fast / 130 BPM]
A quirky and nostalgic, orchestral 1940's / 1950's pastiche with more than a hint of cheese. Perfect for ironic and comical underscores or vintage purposes. [Tempo: Medium, Fast / 150 BPM]
Upbeat, quirky and unusual, this track is fun and slightly whacky. Opens with piano, pizzicato strings and xylophone, moving into a more bouncy and whimsical style. [Tempo: Medium, Fast / 125 BPM]
An upbeat and glorious cinematic ident or fanfare, a-la John Williams or Danny Elfman. Nice as a positive cinematic stinger or opener. Feels like flying or moving at speed. Rich orchestral sound. Good for cinematic or corporate use - can also be news broadcast. [Tempo: Medium, Fast / 140 BPM]
An epic orchestral track with mandolin, guitar and dobro. Listening to this, it's easy to imagine a group of cowboys riding across the western plains. [Tempo: Medium / 132 BPM]
A suspenseful action piece consisting of full orchestra. Tense with a dark hero anthem quality. [Tempo: Medium, Fast / 165 BPM]
The clock is ticking, it's the moment of truth! Great for any scene that needs to convey a sense of urgency, and tension. Orchestra and choir, builds to a big ending. [Tempo: Slow, Medium / 830 BPM]
