Cinematic retro synth wave; this track was created using only two vintage hardware synthesizers; a Moog Minimoog model D and a Prophet 5. Strangely futuristic and vintage at the same time. Ambient / Eerie / Synthetic / Retro / Mystery.
Track details
| Track ID number: | 23015 |
|---|---|
| Genres: | Ambient: Dark / Melancholy / Eerie / Mystical -- Electronic music: Melodic electronica / Synthwave -- Retro Video Game sound |
| Moods/Emotions: | Melancholic / Nostalgic / Wistful -- Mysterious / Mystical / Secretive |
| Suggested Production Types: | Historical / Retro: 1980's -- Mystery / Suspense -- Sci-Fi / Space / Future |
| Prominent Instruments: | Synthesizers |
| Keywords / Hints: | retro wave, retrowave, retro, synth, synthetic, eerie, synthesizer, synthesizers, electronic, electronica, mystical, mystic, mystery, mysterious, cold, space, dark, sparse, transparent, sad, empty, emptiness, danger, foreboding, ominous, chilling, scary, 1980, 1980s, 1980's |
| Tempo feel: | Slow -- Medium |
| Tempo Beats Per Minute: | 110 |
| Artist: | Pawel Blaszczak |
| Composer: | Pawel Blaszczak |
| Publisher: | Shockwave-Sound.Com Royalty Free |
| SRCO (Sound Recording Copyright Owner): | Pawel Blaszczak |
| PRO / Non-PRO Track? | Non PRO (What's this?) |
| WAV file bit depth: | HD / 24-Bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: |
Music collection: Retro Synth Wave, Vol. 112 tracks |
Pawel Blaszczak
gamesXsound is a partnership of experienced composers and sound effect designers: Adam Skorupa and Pawel Blaszczak. They're specialising in production and composition of music and sound effects for video games, multimedia, film and commercial ads. Pawel Blaszczak has been a passionate enthusiast of game music since 1982, when he bought his Commodore 64. He started writing scores for video games in 1997 for Techland Company and took the position of Audio Director. Currently he's a freelancer, having done many projects either alone or with Adam Skorupa. Adam Skorupa started writing scores for video games in 1990. His work involved preparing around 25 complete music scores for games and multimedia projects. He was considered the top Polish musician on the Amiga Underground scene in the 1990s. He also established and leads one of the best known electronic music projects in Poland called Aural Planet, who released six albums worldwide