Epic pops tune with smooth male crooner backed by full orchestra. Dramatic, dreamy, hopeful; makes you feel like all your dreams can come true. Lyrics have positive imagery. Elegant retro feel; something you would hear as a TV or film soundtrack in the 50’s or 60’s but with a modern production shine. Brass section, woodwind section, string section.
Track details
Track ID number: | 14157 |
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Genres: | Vocal Jazz music - royalty free jazz with vocals -- Jazz: Old-time jazz / Retro jazz |
Moods/Emotions: | Happy / Joyful / Positive -- Laid back / Easy-going / Chilled -- Classy / Elegant / Exclusive |
Suggested Production Types: | Historical / Retro: 1950's -- Historical / Retro: 1920-1940's -- Lounge / Cafe / Lobby / Bar |
Prominent Instruments: | Brass section / Horns -- Drums (Drum Kit) -- Flute / Pan Flute / Recorder -- String Section -- Trumpet -- Vocals (Male) / Singing with Lyrics |
Keywords / Hints: | Andy Williams, Frank Sinatra, Michael Buble, Johnny Mathis |
Tempo feel: | Slow -- Medium |
Tempo Beats Per Minute: | 127 |
Artist: | Buddy Moncrief |
Composer: | John Swanson (BMI - CAE#: 00545496814) |
Publisher: | Acoustic SwaneeLand (BMI) |
SRCO (Sound Recording Copyright Owner): | John Swanson |
PRO / Non-PRO Track? | PRO (What's this?) |
WAV file bit depth: | CD-quality / 16-bit (What's this?) |
Stem files available for this track: | No |
Lyrics: | Anything is possible On a night like this Anything is possible Close your eyes make a wish There are paisley clouds against a freckled sky I don’t know how and I don’t know why We ran so fast we started to fly Anything is possible Baby you’ll see Anything is possible Come with me Anything is possible On a night like this Anything is possible Close your eyes make a wish The hands of time are at our beckon call We’ll laugh at fate and smash his crystal ball We’ll reach for the stars and we’ll touch them all Anything is possible Baby you’ll see Anything is possible Come with me |
Album containing this track: | (None) |
Somewhere out on New Route 66, about 50 miles west of Sinatra and 75 miles east of Tom Waits, Swanson struts his swingin' and singin'. He loves Dave Frishberg songs and Johnny Walker in a tumbler. He'd like to hear Kurt Elling cover Stone Temple Pilots. Lonnie Johnson is God.
On his latest full-length release "We Can't Party Like We Used To" (2009 Acoustic SwaneeLand), Swanson pounds out 12 original vocal jazz cuts with a cool retro vibe. His bluesy vocals and tasty guitar licks remind of crooners past and present - Sinatra, Cole, John Pizzarelli come to mind - but his clever songwriting has a leaner, edgier feel to it that puts him squarely in the current century.