Stock Music track: The Secret City

A mysterious air with hints of a dark power. Mischievous and sneaky, but with a dash of playfulness.

Shockwave-Sound.com T15113 37.00 37.00

Track details

Track ID number: 15113
Genres: Film & Soundtrack: Cinematic Main themes -- Film & Soundtrack: Amazement / Wonderment / Enchanted
Moods/Emotions: Amazement / Wonderment / Awe -- Mysterious / Mystical / Secretive
Suggested Production Types: Fantasy / Fantasy World
Prominent Instruments: Full orchestra
Keywords / Hints: mystery, mysterious, sneaky, sneaking, moody, detective, tense, sneak, secret, secrets, stealing, steal, thief, thieves, thievery, mischief, fairytale, fairy, fairies, fairy tale, harp, secret garden, disney, cinematic, orchestra, sneaking fairies, far away, thematic, fairy theme, mischievous
Tempo feel: Slow -- Medium
Tempo Beats Per Minute: 84
Artist: Edward Blakeley
Composer: Edward Blakeley (PRS - CAE#: 629373034)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
SRCO (Sound Recording Copyright Owner): Edward Blakeley
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Edward Blakeley Edward Blakeley

Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.

By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.

With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.