Stock Music track: Club Miami (B Gilbey)

Rolling house track featuring hands in the air, big room synths and a huge breakdown. This is a peak time club track direct from Miami.

Shockwave-Sound.com T17087 14.00 9.00

Track details

Track ID number: 17087
Genres: Electronic music: Techno / Trance / Club / House / Dance -- Electronic music: Edgy / Breakbeat / Dubstep -- Exercise / Workout / Aerobics etc.
Moods/Emotions: Strong / Confident / Tough -- Excited / Enthusiastic / Energetic -- Amazement / Wonderment / Awe -- Mechanical / Robotic / Machine like
Suggested Production Types: Party / Dancing / Fun times -- Style / Fashion / Make-up -- Urban Culture / Youth Subculture -- Workout / Fitness / Aerobics
Prominent Instruments: Drum machine / Electronic drums -- Synthesizers
Keywords / Hints: Miami, house, club, big room, anthem, fierce, peak time, going off, intense, kick, bass, reverb, massive, huge, epic, trance, building, snare, rolling, air, dance club, night club, nightclub, clubbing, rave, dance, dancing, euphoric trance, trance dance, trance music
Tempo feel: Medium -- Fast
Tempo Beats Per Minute: 128
Artist: Barry Gilbey
Composer: Barry Gilbey (PRS - CAE#: 280569740)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Lynne Publishing AS
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track:  Dance Beat Vol. 25: Progressive Edge Picture Music collection: Dance Beat Vol. 25: Progressive Edge
11 tracks
About the Artist
Barry Gilbey Barry Gilbey

From early beginnings running and developing the Choo Choo label to worldwide DJ and live performance tours with Mara (including residencies in Moscow, Lithuania and the UK), as well as writing music for countless TV shows, Gilbey has remixed and worked with the very best. He boasts writing credits alongside artists as diverse as The Human League and BT (Brian Transeau) and a truly epic discography and remixography.

Whilst perhaps best known previously for his work in house music he embraces his love of all things technological and electronic and writes with a passion that overcomes any boundaries of style or genre, being equally at home writing orchestral pieces or bass heavy dubstep.

He now spends his time based in Sheffield UK, focused on writing for film and TV as well as being a sought after music industry consultant.

Says Barry: "From being a little kid, all I ever wanted to do was to write for film and TV, I've always felt it's an honour to be writing to picture as it's such an important part of the creative process for film making" beams a clearly enthused Gilbey. "I'm just loving being in the studio and I feel that's when I'm at my best".