Gritty synth and kick drum kicks off this music piece, followed by some high, light percussive melody. Kicks up a notch with rhythm guitar and layers of synth and strings. An intense, driving piece that gets down to business immediately, making you want to become part of the game, a player in whatever is going on, even if it’s not entirely being a good guy. This music might be used for high-action or fast-moving scenarios, sports, extreme anything.
Track details
Track ID number: | 18882 |
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Genres: | Electronic music: Techno / Trance / Club / House / Dance -- Pop: Electro-Pop |
Moods/Emotions: | Strong / Confident / Tough -- Busy / Active / Bustling -- Cool / Funky / Strutting -- Sexy / Flirtatious / Erotic -- Mechanical / Robotic / Machine like |
Suggested Production Types: | Party / Dancing / Fun times -- Sports & Active Lifestyle -- Style / Fashion / Make-up -- Teen / Youth / School -- Urban Culture / Youth Subculture |
Prominent Instruments: | Drum machine / Electronic drums -- Synth Pads -- Synthesizers |
Keywords / Hints: | uptempo, commercials, promos, disco, rhythmic, youth, party, movement, bold, thriller, dark, edgy, intense, action, EDM, dance, sports, reality television, young, side-chain, rave, rave club, raving, dancing, dance music, dance club, techno trance, techno music, techno |
Tempo feel: | Medium -- Fast |
Tempo Beats Per Minute: | 125 |
Artist: | Christopher Bernard |
Composer: | Christopher Gerard Bernard (BMI - CAE#: 600827281) |
Publisher: | Lynne Publishing (PRS - CAE#: 541626758) |
SRCO (Sound Recording Copyright Owner): | Lynne Publishing AS |
PRO / Non-PRO Track? | PRO (What's this?) |
WAV file bit depth: | HD / 24-Bit (What's this?) |
Stem files available for this track: | No |
Album containing this track: |
Music collection: Dance Beat Vol. 30: Hard Tech & Grime 11 tracks |
Christopher Bernard is a pop music producer/composer. At age 19, after convincing his parents to let him move across the country from Florida, he began attending recording school in Los Angeles. In 2012, after attending classes for only 2 months, he dropped out to intern at a recording studio full-time. He managed to garner a few engineering credits for artists such as Daughtry and Elle King, but shortly after decided he wanted to focus on writing and production.
Christopher has now gathered hundreds of TV placements as well as had his music placed in national ad campaigns. He continues to work in as many areas and genres as possible, with a keen focus on sonic quality and exciting melodies.