A somewhat bizarre, and slightly creepy, 1980's themed instrumental production with big synths and drums. Big and spacious - like travelling back in time.
Track details
Track ID number: | 19735 |
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Genres: | Ambient: Dark / Melancholy / Eerie / Mystical -- Other / Unclassifiable |
Moods/Emotions: | Amazement / Wonderment / Awe -- Floating / Ethereal / Dreamy -- Trippy / Psychedelic / Hypnotic |
Suggested Production Types: | Historical / Retro: 1980's -- Mystery / Suspense -- Sci-Fi / Space / Future |
Prominent Instruments: | Drum machine / Electronic drums -- Synthesizers |
Keywords / Hints: | 80s, 1980s, 80's, 1980, bizarre, trippy, trip, drugs, retro, strange, spacey, open, creepy, pastiche, uncomfortable, weird, odd, different, electronic, synths, synthesizer, pulsing, pulse, pulsating, time travel, time machine, cs80, heavy drums |
Tempo feel: | Very slow -- Slow |
Tempo Beats Per Minute: | 74 |
Artist: | Edward Blakeley |
Composer: | Edward Blakeley (PRS - CAE#: 629373034) |
Publisher: | Lynne Publishing (PRS - CAE#: 541626758) |
SRCO (Sound Recording Copyright Owner): | Edward Blakeley |
PRO / Non-PRO Track? | PRO (What's this?) |
WAV file bit depth: | HD / 24-Bit (What's this?) |
Stem files available for this track: | No |
Album containing this track: | (None) |
Born in 1989 in the small town of Hastings in Sussex UK, Leeds University graduate composer and producer Edward Blakeley’s list of achievements reads like a music veteran’s twice his age.
By the age of 18, having already established a foothold in the local music scene, the self-taught multi-instrumentalist, composer, orchestrator, performer and producer founded Sonic Avenue Studios, renting a small commercial unit in nearby Bexhill-on-sea. Gaining experience as not only a studio engineer but also a manager, financier, and businessman the entrepreneur went on to work with Brit Award winning Blair MacKichan (Will Young, Olly Murs, Lily Allan) in both live and studio capacities, and multi-award winning, BAFTA/IVOR NOVELLO nominated composer Richard Jacques (James Bond: Bloodstone, Mass Effect, Little Big Planet 2) working as an assistant and aide, quickly becoming an apprentice composer.
With airtime on BBC Radio 2 at the age of just 20, the young prodigy’s career looks firmly positive ahead, and his compositional and orchestrative techniques have won him composition and sound design roles for feature-length films and multiple animations and video games.