Solemn, proud indie rock instrumental with a touch of sadness. Dramatic sounding with knowledge, acceptance, and heartbreak. Clean guitar strums chords for the first :35 and then band joins in.
Track details
| Track ID number: | 20753 |
|---|---|
| Genres: | Rock: Light Rock |
| Moods/Emotions: | Sad / Sorrowful / Mournful -- Regret / Painful / Bitter / Angsty -- Melancholic / Nostalgic / Wistful -- Passionate / Emotional / Melodramatic -- Reflective / Thoughtful / Introspective |
| Suggested Production Types: | Charity / PSA / Community -- Drama / Personal stories -- Religious / Faith / Spiritual -- TV Commercial - Reflection / Thoughtful |
| Prominent Instruments: | Guitar (Electric) |
| Keywords / Hints: | Jeff Buckley, Catfish, Lumineers, Head and the Heart, acceptance, achievement, ballad, breakup, calm, contemplative, determined, drama, dramatic, dreamy, ethereal, film, forgiveness, forgiving, heartbreak, indie rock, inspirational, melancholic, moving on, peaceful, positive, proud, reflective, serene, strength, strong |
| Tempo feel: | Very slow -- Slow |
| Tempo Beats Per Minute: | 80 |
| Artist: | Buddy Moncrief |
| Composer: | Buddy Moncrief (BMI) |
| Publisher: | Lynne Publishing (PRS) |
| SRCO (Sound Recording Copyright Owner): | Buddy Moncrief |
| PRO / Non-PRO Track? | PRO (What's this?) |
| WAV file bit depth: | CD-quality / 16-bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: | (None) |
Buddy Moncrief
Somewhere out on New Route 66, about 50 miles west of Sinatra and 75 miles east of Tom Waits, Swanson struts his swingin' and singin'. He loves Dave Frishberg songs and Johnny Walker in a tumbler. He'd like to hear Kurt Elling cover Stone Temple Pilots. Lonnie Johnson is God.
On his latest full-length release "We Can't Party Like We Used To" (2009 Acoustic SwaneeLand), Swanson pounds out 12 original vocal jazz cuts with a cool retro vibe. His bluesy vocals and tasty guitar licks remind of crooners past and present - Sinatra, Cole, John Pizzarelli come to mind - but his clever songwriting has a leaner, edgier feel to it that puts him squarely in the current century.