Gentle, reflective electric guitar version of the traditional piece 'Amazing Grace' accompanied by strings. The guitar parts are natural in feel using high-quality synths that were played live rather than programmed. There are tiny discrepancies from a live performance which adds to the realism. The improvised counter melodies further add to the authentic feel of this music. This music works for a variety of purposes including film, religious, spiritual or background music purposes. It is a calm, gentle, tender, light and thoughtful/contemplative music track.
Track details
Track ID number: | 22000 |
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Genres: | Christmas: Traditional Christmas Music |
Moods/Emotions: | Melancholic / Nostalgic / Wistful -- Loving / Romantic / Tender -- Reflective / Thoughtful / Introspective |
Suggested Production Types: | Christmas / Holiday -- Religious / Faith / Spiritual |
Prominent Instruments: | Bass (Electric) -- Guitar (Electric) -- Synth Pads |
Keywords / Hints: | calm, relaxing, reflective, reflection, gentle, amazing grace, traditional, electric guitar, guitar, strings, film, religious, background music, background, consoling, tender, tenderness, delicate, light, thoughtful, contemplation, contemplative, pensive, instrumental |
Tempo feel: | Slow -- Medium |
Tempo Beats Per Minute: | 72 |
Artist: | Beanstalk Audio |
Composer: | Traditional |
Publisher: | Public domain |
SRCO (Sound Recording Copyright Owner): | Traditional |
PRO / Non-PRO Track? | PRO (What's this?) |
WAV file bit depth: | HD / 24-Bit (What's this?) |
Stem files available for this track: | No |
Album containing this track: | (None) |
Beanstalk Audio is a project started by Lee Prichard. His involvement in music started at the age of 11 when he started trombone lessons at secondary school. Throughout his teens and early twenties he played hundreds of shows with the Ashton-on-Mersey Showband and numerous other brass groups throughout the Manchester area, UK and abroad. Later in life he started a music licensing business and focussed mainly on audio production and licensing before making a return to composing in his forties. Technologies have changed but Lee’s passion for music is as strong as ever. Although, these days his method of expression is through plastic black and white keys rather than blowing a raspberry through a long piece of brass tubing ;)