Stock Music track: Glimmer of Hope

This is a soundtrack that builds up from a simple, yet quite slow, piano and string chord sequence. It has a mournful and expressive feel which is built upon from the melancholic piano melody that appears in the second section. It initially depicts sorrow and despondency, however, with the addition of high strings and a delicate piano melody later in the piece it brings a hopeful vibe and a subtle optimism that things will get better. The last section features an electric guitar melody and the ending is short and clean. This would work in a film setting as a soundtrack or theme. Sad and somber, yet hopeful.

Shockwave-Sound.com T22460 17.00 9.00

Track details

Track ID number: 22460
Genres: Soft: General Soft / Romance
Moods/Emotions: Sad / Sorrowful / Mournful -- Melancholic / Nostalgic / Wistful
Suggested Production Types: Charity / PSA / Community -- Drama / Personal stories -- Family / Light Entertainment -- Love Story / Romance -- TV Commercial - Reflection / Thoughtful
Prominent Instruments: Piano (Acoustic) -- String Section
Keywords / Hints: sadness, regret, grief, mournful, sorrowful, sorrowing, melancholy, melancholic, woeful, heartbroken, broken-hearted, heavy-hearted, deep feelings, sad, gloomy, dismal, desolate, dejected, depressed, despondent, downcast, sombre, joyless, hope, hopeful, reflective, reflection, instrumental
Tempo feel: Slow
Tempo Beats Per Minute: 65
Artist: Beanstalk Audio
Composer: Mick Parks
Publisher: Beanstalk Audio
SRCO (Sound Recording Copyright Owner): Pritchard, Lee
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Beanstalk Audio Beanstalk Audio

Beanstalk Audio is a project started by Lee Prichard. His involvement in music started at the age of 11 when he started trombone lessons at secondary school. Throughout his teens and early twenties he played hundreds of shows with the Ashton-on-Mersey Showband and numerous other brass groups throughout the Manchester area, UK and abroad. Later in life he started a music licensing business and focussed mainly on audio production and licensing before making a return to composing in his forties. Technologies have changed but Lee’s passion for music is as strong as ever. Although, these days his method of expression is through plastic black and white keys rather than blowing a raspberry through a long piece of brass tubing ;)