This pop/electronica royalty free stock music starts with a retro sounding synth that has a nostalgic vibe to it initially. However, when the beat kicks in it takes on an energetic and uplifting feel suited to TV and film use, storytelling, video footage and time-lapse photography. It could be used with images of travel, cities, business, people, buildings, traffic. The instrumentation in this mid-tempo piece features synths and guitars.
Track details
| Track ID number: | 22721 |
|---|---|
| Genres: | Pop: General / Feelgood Pop |
| Moods/Emotions: | Excited / Enthusiastic / Energetic -- Happy / Joyful / Positive -- Celebratory / Triumphant / Successful |
| Suggested Production Types: | Family / Light Entertainment -- Teen / Youth / School -- TV Commercial - Exciting / Euphoric -- Vacation / Travel / Discovery |
| Prominent Instruments: | Drums (Drum Kit) -- Guitar (Acoustic) -- Guitar (Electric) -- Piano (Acoustic) -- String Section |
| Keywords / Hints: | positive, corporate, electronica, electronic, synth, synths, synthesizer, synthesiser, energetic, energy, uplifting, storytelling, story-telling, video, time-lapse, timelapse, photography, travel, travelling, traveling, cities, city, business |
| Tempo feel: | Medium |
| Tempo Beats Per Minute: | 115 |
| Artist: | Beanstalk Audio |
| Composer: | Mick Parks |
| Publisher: | Beanstalk Audio |
| SRCO (Sound Recording Copyright Owner): | Mick Parks |
| PRO / Non-PRO Track? | PRO (What's this?) |
| WAV file bit depth: | HD / 24-Bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: | (None) |
Beanstalk Audio
Beanstalk Audio is a project started by Lee Prichard. His involvement in music started at the age of 11 when he started trombone lessons at secondary school. Throughout his teens and early twenties he played hundreds of shows with the Ashton-on-Mersey Showband and numerous other brass groups throughout the Manchester area, UK and abroad. Later in life he started a music licensing business and focussed mainly on audio production and licensing before making a return to composing in his forties. Technologies have changed but Lee’s passion for music is as strong as ever. Although, these days his method of expression is through plastic black and white keys rather than blowing a raspberry through a long piece of brass tubing ;)