Stock Music track: At the End (L Schmitt)

Emotional and heartfelt track full of hopelessness but also awe and distant relief, like a shimmer of hope at the horizon. Cinematic arrangement with piano, strings and choir. Starts soft, gets a more intense and a bit epic at 0:24.

Shockwave-Sound.com T22806 22.00 22.00

Track details

Track ID number: 22806
Genres: Film & Soundtrack: Sad / Sorrowful / Wistful / Regretful underscores
Moods/Emotions: Sad / Sorrowful / Mournful -- Melancholic / Nostalgic / Wistful -- Loving / Romantic / Tender
Suggested Production Types: Drama / Personal stories -- Love Story / Romance -- Period Drama / Melodrama
Prominent Instruments: Choir -- Piano (Acoustic) -- String Section
Keywords / Hints: epic, dramatic, drama, movie, film score, trailer, soundtrack, sad, ocean, tragic, loss, tragedy, hopeless, orchestral, strings, piano, choir, mournful, destiny, poignant, moving, heartfelt, touching, melancholic, atmospheric, majestic, awe, epic, cinematic
Tempo feel: Slow
Tempo Beats Per Minute: 160
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.