Stock Music track: Deserted Alley

Mystic, magical and atmospheric movie score. Reminiscent of sleeping villages, the forest in moonlight, magicians, secret places or a stalker, following his/her loved one. It is haunting yet beautiful, with orchestral strings, clarinet, piano, celesta.

All versions
  • $38.00
Shockwave-Sound.com T22808 32.00 38.00

Track details

Track ID number: 22808
Genres: Ambient: Dark / Melancholy / Eerie / Mystical -- Film & Soundtrack: Dark Ambient / Drones / Ominous
Moods/Emotions: Nervous / Uneasy / Scared -- Gloomy / Dark / Sinister -- Amazement / Wonderment / Awe -- Mysterious / Mystical / Secretive
Suggested Production Types: Fantasy / Fantasy World -- Horror / Thriller -- Mystery / Suspense -- Period Drama / Melodrama
Prominent Instruments: Choir -- Piano (Acoustic) -- String Section
Keywords / Hints: haunting, mysterious, village, forest, tale, story, magic, beautiful, atmospheric, night, evening, fantasy, vampires, mystery, melancholic, emotional, thriller, thrilling, soundtrack, cinematic, movie, film score, documentary, melodic, calm, quiet, ghosts, halloween, stalker
Tempo feel: Very slow -- Slow
Tempo Beats Per Minute:
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.