A minimalistic piece with harp, bells and bass drums. Neutral vibe with a sense of air, clarity and science.
Track details
Track ID number: | 22812 |
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Genres: | Film & Soundtrack: Introspective / Thoughtful / Reflective underscores -- Film & Soundtrack: Investigative / Analyzing / Evaluating / Clues / Mysterious underscores |
Moods/Emotions: | Reflective / Thoughtful / Introspective -- Mysterious / Mystical / Secretive |
Suggested Production Types: | Documentary / Culture / Art -- Drama / Personal stories -- Fantasy / Fantasy World -- Mystery / Suspense -- Period Drama / Melodrama |
Prominent Instruments: | Bells / Glockenspiel / Celeste -- Harp |
Keywords / Hints: | documentary, science, scientific, experimental, minimal, minimalistic, minimalism, journalism, journalist, observation, news, reality, TV, score, soundtrack, film music, fresh, airy, clean, pure, purity, neutral, neutrality, investigation, detective, puzzle, clues, thoughful, thinking |
Tempo feel: | Slow |
Tempo Beats Per Minute: | |
Artist: | Lionel Schmitt |
Composer: | Schmitt, Lionel Desmond Jerome Kofi (BMI) |
Publisher: | Lynne Publishing (PRS) |
SRCO (Sound Recording Copyright Owner): | Schmitt, Lionel Desmond Jerome Kofi |
PRO / Non-PRO Track? | PRO (What's this?) |
WAV file bit depth: | CD-quality / 16-bit (What's this?) |
Stem files available for this track: | No |
Album containing this track: | (None) |
Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.
I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)
While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.
I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible.
I have zero musical education – all my music comes from my heart and just follow my instincts.
In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.
Hope you enjoy the music and thanks for stopping by.