Stock Music track: The Path Home

Classical movie theme about love, pride and relief. Or maybe coming home after a long time... Arrangement with orchestral strings and piano. A piece with a warm and heartfelt character.

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  • $38.00
Shockwave-Sound.com T22813 32.00 38.00

Track details

Track ID number: 22813
Genres: Film & Soundtrack: Tender / Touching / Romantic underscores
Moods/Emotions: Melancholic / Nostalgic / Wistful -- Loving / Romantic / Tender -- Passionate / Emotional / Melodramatic
Suggested Production Types: Love Story / Romance -- Period Drama / Melodrama
Prominent Instruments: String Section
Keywords / Hints: drama, romantic, sentimental, classical, strings, piano, emotional, emotive, reflective, love, loving, moving, beautiful, calm, movie, film score, soundtrack, charming, hopeful, proud, journey, poignant, relief, lovely, nostalgic, pastoral, peaceful, story telling, tale
Tempo feel: Slow
Tempo Beats Per Minute: 156
Artist: Lionel Schmitt
Composer: Schmitt, Lionel Desmond Jerome Kofi (BMI)
Publisher: Lynne Publishing (PRS)
SRCO (Sound Recording Copyright Owner): Schmitt, Lionel Desmond Jerome Kofi
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Lionel Schmitt Lionel Schmitt

Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.

I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)

While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.

I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible. 

I have zero musical education – all my music comes from my heart and just follow my instincts. 

In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.

 

Hope you enjoy the music and thanks for stopping by.