A tragic and cinematic orchestral piece with a wide yet personal feel. Slow strings evoke emotion and drama, joined by some dreamy choir.
Track details
| Track ID number: | 22815 |
|---|---|
| Genres: | Film & Soundtrack: Sad / Sorrowful / Wistful / Regretful underscores |
| Moods/Emotions: | Sad / Sorrowful / Mournful -- Melancholic / Nostalgic / Wistful |
| Suggested Production Types: | Drama / Personal stories -- Love Story / Romance -- Period Drama / Melodrama |
| Prominent Instruments: | Choir -- String Section |
| Keywords / Hints: | aftermath, slow, drama, dramatic, sad, sadness, melancholy, melancholia, melancholic, ambient, cinematic, film score, trailer music, soundtrack, epic, tears, emotional, emotive, emotions, tragic, tragedy, trailer, war, death, loss, reflection, reflective, heart broken, heartbroken, heartbreak |
| Tempo feel: | Very slow -- Slow |
| Tempo Beats Per Minute: | 120 |
| Artist: | Lionel Schmitt |
| Composer: | Schmitt, Lionel Desmond Jerome Kofi (BMI) |
| Publisher: | Lynne Publishing (PRS) |
| SRCO (Sound Recording Copyright Owner): | Schmitt, Lionel Desmond Jerome Kofi |
| PRO / Non-PRO Track? | PRO (What's this?) |
| WAV file bit depth: | CD-quality / 16-bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: | (None) |
Lionel Schmitt
Hi I'm Lionel, born in 1998, composer of cinematic music, living in Germany.
I write music in many different styles and types - from emotional musical portraits to big epic jackhammers. ;)
While I love writing cinematic music in all it's facets the most, I don't really want to write music for actual films or games. I don't enjoy being locked to a specific pace of events that dictates the flow of the music and hinders the music from having its own structure. Writing production/trailer music allows for much more creative freedom.
I hardly ever use loops or other things that "make the music" for me. I usually play/program everything myself, including drums. And my goal is to make everything as lively and interesting as possible and I always work a lot to make the orchestral samples I currently have sound as realistic as possible.
I have zero musical education – all my music comes from my heart and just follow my instincts.
In about 2013 I started fooling around with a little keyboard, without any proper software and still wrote some music using a weird custom notation system. I started writing music seriously at the beginning of 2015.
Hope you enjoy the music and thanks for stopping by.