An ambient, atmospheric and mystical track featuring yangqin (a Chinese hammered dulcimer), ethnic drums and female chanting. This piece is ideal for Far East projects, documentaries, ancient kingdoms, travel, exotic locations, spiritual landscapes and meditation / relaxation.
Track details
| Track ID number: | 24267 |
|---|---|
| Genres: | World: Far East (Japan / China / Oriental ) |
| Moods/Emotions: | Passionate / Emotional / Melodramatic -- Mysterious / Mystical / Secretive -- Exotic / Tribal / Primal |
| Suggested Production Types: | Documentary / Culture / Art -- Historical: Older History / Ancient -- Nature / Natural World -- Vacation / Travel / Discovery |
| Prominent Instruments: | Ethnic percussion / Tribal drums -- Ethnic / World / Indigenous instruments -- Koto -- Voice as instrument / No Lyrics |
| Keywords / Hints: | wonder, wonderment, amazement, amazing, landscapes, ancient, history, historical, awe-inspiring, chanting, female, discover, discovering, discovery, documentary, ethnic, fantasy, journey, vocal, chant, mysterious, mystical, spiritual, prayer, religion, religious, world, temple, travel, traveling |
| Tempo feel: | Slow -- Medium |
| Tempo Beats Per Minute: | 80 |
| Artist: | Beanstalk Audio |
| Composer: | Lee Pritchard |
| Publisher: | Beanstalk Audio |
| SRCO (Sound Recording Copyright Owner): | Lee Pritchard |
| PRO / Non-PRO Track? | PRO (What's this?) |
| WAV file bit depth: | HD / 24-Bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: | (None) |
Beanstalk Audio
Beanstalk Audio is a project started by Lee Prichard. His involvement in music started at the age of 11 when he started trombone lessons at secondary school. Throughout his teens and early twenties he played hundreds of shows with the Ashton-on-Mersey Showband and numerous other brass groups throughout the Manchester area, UK and abroad. Later in life he started a music licensing business and focussed mainly on audio production and licensing before making a return to composing in his forties. Technologies have changed but Lee’s passion for music is as strong as ever. Although, these days his method of expression is through plastic black and white keys rather than blowing a raspberry through a long piece of brass tubing ;)