Stock Music track: Course of All Flesh

Cello-led with cinematic orchestral with violin leads and string accompaniment. Versatile, thematic in nature, steady track with lots of movement and motion sonically. Raw, naked, film noir, chamber orchestra sound. (Stem files available.)

Shockwave-Sound.com T25557 17.00 9.00

Track details

Track ID number: 25557
Genres: Film & Soundtrack: Danger / Tension / Threatening / Action pending underscores -- Film & Soundtrack: Urgent / Chase / Battle / Action underscores
Moods/Emotions: Nervous / Uneasy / Scared -- Menacing / Dangerous / Threatening -- Gloomy / Dark / Sinister -- Mysterious / Mystical / Secretive -- Chaotic / Uncontrolled / Wild
Suggested Production Types: Documentary / Culture / Art -- Drama / Personal stories -- Halloween / Dark / Quirky -- Horror / Thriller -- Mystery / Suspense -- Period Drama / Melodrama
Prominent Instruments: Cello -- Drums (Big, Epic or Marching) -- Violin / Viola / Fiddle
Keywords / Hints: anthemic, atmospheric, building, cinematic, dark, dramatic, emotive, epic, intense, moody, mysterious, powerful, reflective, romantic, tension, tense, hurry, hurried, danger, dangerous, raw, naked, brutal, film noir, horror, mystery, mystical, drama, urgent
Tempo feel: Medium -- Fast
Tempo Beats Per Minute: 90
Artist: Phil Peters
Composer: Philip Raphael Peters (APRA - CAE#: 01105962178)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
SRCO (Sound Recording Copyright Owner): Philip Raphael Peters
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: Yes
Album containing this track:  Phil Peters - Luctor et Emergo Picture Music collection: Phil Peters - Luctor et Emergo
11 tracks
About the Artist
Phil Peters Phil Peters

Drawing from his extensive background as a solo musician and ex touring hard rock/metal band member lyricist and drummer, Phil's goal is to utilize the talent he has and grow and nurture it and expand his musical knowledge and boundaries. Music composing and production seemed to Phil like a very natural pathway to follow down. Understanding that this process and journey is an artform within itself, being self-aware and constant in his development as a musician and artist in this process was a vital necessity for Phil to understand while journeying into sync licensing. Major influences stem from artists and bands which tend to take a unique path in music sculpting.


Phil Peter's creative goal is to build an ever-growing catalogue of cues in order to develop his strengths further. This is a necessary step for him as an artist and composer to build something very unique and tailored. It is also something which he absolutely enjoys doing on a daily basis. Primarily, with a tendency to writing along the lines of Cinematic Electronica and Electronica , even Orchestral are some of his strengths. Phil aims to always expand upon what he loves creating and extending on his creative articulation. Implementation of vocals is something he add to the mix in occasion and when the music requires this approach. During my creative process, diversity, uniqueness and high quality is always at the back of Phil's mind while he writes and creates his art.