Stock Music track: Primal

Stuttering, staccato distorted synths riffing in an industrial type, post modern soundscape. This track has both a dark side and a fresh edge, making it suitable for "edgy" corporate use as well as motor sport or anything invoving dirt, grind, industry or tech.

Shockwave-Sound.com T3827 17.00 43.00

Track details

Track ID number: 3827
Genres: Electronic music: Edgy / Breakbeat / Dubstep
Moods/Emotions: Menacing / Dangerous / Threatening -- Excited / Enthusiastic / Energetic -- Busy / Active / Bustling
Suggested Production Types: Action / Chase -- Mystery / Suspense
Prominent Instruments: Bass (Electric) -- Drum machine / Electronic drums -- Synthesizers
Keywords / Hints: underground, shooter, matrix, electro, twisted, gritty, mechanical, aggressive, raw, distorted, cyber, industrial, futuristic, robotic, intense, edgy, synthetic, harsh, darkwave, glitch, abrasive, metallic, pulsating, powerful, tech-driven, urban, cinematic, hardcore, heavy
Tempo feel: Medium
Tempo Beats Per Minute: 96
Artist: Thomas Stobierski
Composer: Thomas Stobierski (BMI - CAE: 600020927)
Publisher: Lynne Publishing (PRS - CAE#: 541626758)
SRCO (Sound Recording Copyright Owner): Thomas Stobierski
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: CD-quality / 16-bit (What's this?)
Stem files available for this track: No
Album containing this track:  The Edge, Vol. 3 Picture Music collection: The Edge, Vol. 3
10 tracks
About the Artist
Thomas Stobierski Thomas Stobierski

Although Tom identifies himself as classical-based composer, his musical background differs a bit from common educational path. He grew up in southern Poland and graduated in 1999 from Silesian Technical University in Gliwice with a degree in computer engineering. It was quite a natural consequence of his youthful, technocratic deviation. Nowadays, that's sure - he's not a technocrat at all. Rather than a life passion, he considers the computer science as a source of his keep. For more than 10 years he was working as a programmer for one of the Polish leading interactive agencies where he found his technical knownledge and sense of art useful. He's freelancer now.

But considering the music, he started taking piano lessons at the age of 8. He is also saxophone player, but most of the time he focuses on composition. A few years ago he graduated from Katowice Music Academy (composition & arrengement) too. His experience in this domain ranges in various musical styles from electronic-beat to strictly classical music and sacral art. Professionaly Tom scored dozens of multimedia presentations, websites and games.

Composer's performance affiliation: BMI (CAE: 404389856)