A slow, relentless synth bass pulse is the foundation for this foreboding track. With string section and subtle piano joining in later, this is a dark, urban piece of music suitable for film or other media.
Track details
| Track ID number: | 4598 |
|---|---|
| Genres: | Film & Soundtrack: Spy / Undercover Agent / Espionage underscores |
| Moods/Emotions: | Nervous / Uneasy / Scared -- Menacing / Dangerous / Threatening -- Gloomy / Dark / Sinister |
| Suggested Production Types: | Crime / Criminals / Bad-asses -- Drama / Personal stories -- Forensics / Investigative |
| Prominent Instruments: | Drum machine / Electronic drums -- Synthesizers -- Violin / Viola / Fiddle |
| Keywords / Hints: | urban, dark, pensive, tense, nervous, foreboding, ominous, monotenous, repetitive, city, inner city, movie, soundtrack, film music, filmscore |
| Tempo feel: | Medium |
| Tempo Beats Per Minute: | 80 |
| Artist: | John Radford |
| Composer: | John William Radford (PRS - CAE#: 477767492) |
| Publisher: | John Radford (PRS) |
| SRCO (Sound Recording Copyright Owner): | John William Radford |
| PRO / Non-PRO Track? | PRO (What's this?) |
| WAV file bit depth: | CD-quality / 16-bit (What's this?) |
| Stem files available for this track: | No |
| Album containing this track: | (None) |
John Radford
John is the founder and primary writer for 1underproductions. John studied music technology at Rose Bruford College (London). After graduating, John persued the traditional route, making tea at Ascent Media and then Grand Central Recording studios.
Once his tea-making skills were honed, John went to work for the Boiler House boys in Chelsea. There he worked with several artists, including Shazney Lewis, Harmar Superstar and Joss Stone. John also worked on films including the Calcium Kid (Orlando Bloom) and Trauma (Colin Firth).
Since leaving the Boiler House, John set up 1underproductions. John is able to compose in many different styles and can write to specific briefs.
Composer's performance affiliation: PRS