Stock Music track: At the Crossroad

A stormy, heavy hearted piano driven track with a kind of sad, southern feel to it. Acoustic guitar, and strings weave in and out supporting the melancholy mood.

Set of 2 music loops
  • $16.00
All versions
  • $42.00
Shockwave-Sound.com T7943 16.00 42.00

Track details

Track ID number: 7943
Genres: Country & Bluegrass -- Folk / Americana & Nu-Folk
Moods/Emotions: Sad / Sorrowful / Mournful -- Laid back / Easy-going / Chilled -- Reflective / Thoughtful / Introspective
Suggested Production Types: Love Story / Romance
Prominent Instruments: Drums (Drum Kit) -- Guitar (Acoustic) -- Violin / Viola / Fiddle
Keywords / Hints: Sad, Moody, Southern, Piano, Violin, Acoustic, Guitar, Melancholy, Down, Remembering, Looking Back, Longing, Regret, Forgiving, Letting Go, Goodbye, sadness, sorrow, sorrowful, country
Tempo feel: Slow
Tempo Beats Per Minute: 80
Artist: Michael Peterman
Composer: Michael Peterman (BMI)
Publisher: Michael Peterman (BMI)
SRCO (Sound Recording Copyright Owner): Michael Peterman
PRO / Non-PRO Track? PRO (What's this?)
WAV file bit depth: HD / 24-Bit (What's this?)
Stem files available for this track: No
Album containing this track: (None)
About the Artist
Michael Peterman Michael Peterman

My name is Michael Peterman, I am a BMI affiliated, professional freelance film composer specializing in short run (60-90 second) film cues, and it's taken a long time to get here.

After paying my dues to the local scene in Boston MA for more than six years with nothing to show for it, I needed to make a change. Late nights, long drives, lost friends, and no clear sense of direction gave way to my day job, and the bar scene, this time i saw it from a stool, not the stage.

I took more than a year off, I moved three times, I got laid off, and I just sat around watching movies. My DVD collection rose from about three, to over two hundred in only a month. I started noticing myself becoming more focused on the music and sound design of these films, rather than the actors or even the story. I started buying movies based more on who wrote the music than who was in it, or what it was about.

I started writing music again, and a lot of it. This time I wasn't trying to find something to impress a bunch of drunk kids at the bar down the street, I wanted to write something that I could really respect.

Now, drawing on my combined experience of more than eleven years writing, recording, and performing, I've become comfortable working in a highly detailed, deadline oriented environment. Producing broadcast quality music for film and TV projects.

My work can be heard in a handful of indie film, and TV productions, and my list of credits is only getting longer, thanks in part to professionals like Bjorn from Shockwave-Sound.com who have supported my work.

I'm looking forward to doing this for a long time.